Rock Garden?

My latest painting. I'm still working on a title, but I'm thinking "Rock Garden." 

What do you think?

I was reminded with this painting how much I really love realism. I love looking at something like a brown rock and seeing not just brown, but all the myriad of colors that make it appear brown. If you look closely, nothing is ever just the color it immediately seems. I'm not sure I'm ever more content than when I'm gazing at something beautiful and teasing out the unexpected colors that make up its highlights, shadows, and contours.

Lessons learned

I mentioned in my last post that I had learned a few things from my most recent painting experiment. So, in no particular order, here they are!
Lesson #1: Prime, prime, prime!

It's important when using oils on wood that you prime the surface. Over time, oil degrades wood and paper, so you need that primer as protection for the wood. This I knew and I did apply a couple of coats of clear matte medium to protect the wood. What I didn't fully appreciate was the importance of preparing the surface for me, specifically. If you look closely at the image above, you can see the bumps and roughness in the surface of the wood. I didn't realize how much that would distract me. I swoon for super smooth painting surfaces, so the texture of the wood bothered me. 

So, in short if you're working on wood with acrylics and you like rougher surfaces and texture in your work, don't worry about priming. Jump right in! If you're using oils on wood and like texture, a couple of coats of gesso or matte medium should work fine for you. But if you're a lover of glassy finishes like me, sand, prime, repeat ad nauseam.

Lesson #2: Use a good reference photo (or model if working directly from life).

This was my reference photo, which wasn't absolutely terrible, but didn't provide me with what I needed for this picture. Had I been striving to recreate this picture, it would have been doable, but to recreate the patterns and shadows of the face in muscle and patterns, I should have used a clearer, not so blown-out picture. 

Lesson #3: Get out of your comfort zone.

This experiment was pretty far out from realistic portraits of everyday objects and their reflections and that was great for me. Try a new painting surface, subject, or technique! You'll never know your own style unless you explore. Who knows, it may turn out even better than you imagined! Or it may turn out that it's not your cup of tea at all. Either way, the experiment will be a success. 

So what about you? Learn anything new lately? Discover a love of a different subject or technique? What have you been experimenting with? Let me know about it!

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A few of my favorite things

A few of my favorite things

 One thing you should know about me- I love, I mean LOVE mixing colors. It may be my favorite part of painting. Rarely do I ever use a color just straight out of the tube. So, now and again I'm going to tell you about some of my favorite colors and how I use them.
My mentor, Dori DeCamillis, taught me that when laying out your palette you should put out all, or almost all, your color whether you think you need them or not. The reason nothing is truly only the color you think you see. For example, what color are these apples?

Greenish yellow, right? So you only get out your green and yellow paints. Look again.

Do you see it? There are so many other colors in there. Pinks in the skin, dark grayish blue in the shadows, white in the highlights. I even see a little light blue in the highlight on the top of the apple to the left. So don't be scared of wasting paint and go ahead and get it all out. You may surprise yourself. Oh, and my color tip for the day? Try a little caucasian flesh tone mixed with blue for that funny little color you see around the base of the stem. 

Do any of you have any tips or favorite color combos you'd like to share? I'd love to learn from you.